the desire to find ways of making drawings outgrow the limits of the two dimensional surface is the driving force of birgit knoechl’s practice. she draws ever-new forms and patterns based on the shapes and structures of all manner of vegetative life forms –- and then cuts these forms out and arranges the cut-outs as sculptural objects in different spatial scenarios, or animates them by filming them in close-up.
through this exploration of space and video as media for staging and contextualizing cut-out drawings runs a sensibility for the principle of growth...not as a mere metaphor...(but) its principle.